This blog is a personal take on Listowel, Co. Kerry. I am writing for anyone anywhere with a Listowel connection but especially for sons and daughters of Listowel who find themselves far from home. Contact me at listowelconnection@gmail.com

Tag: Spare

Prague, Ballybunion and Hollywood

Blossoms in Spring 2021

Won’t be long now.

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Child of Prague Statue

This icon has generated more than its fair share of interest since I shared it on Listowel Connection.

I have no idea why we have a little statue in St. Mary’s. It’s on a high shelf so I’d say the head will survive.

Infant of Prague story ……Wikipedia

The exact origin of the Infant Jesus statue is not known, but historical sources point to a 19‑inch (48 cm) sculpture of the Holy Child with a bird in his right hand currently located in the Cistercian monastery of Santa María de la Valbonna in Asturias, Spain, which was carved around the year 1340. Many other Infant Jesus sculptures were also carved by famous masters throughout Europe in the Middle Ages. Often found in early medieval work, the significance of the bird symbolizes either a soul or the Holy Spirit. The sculptures of the Holy Child were dressed in imperial regalia reflecting the aristocratic fashion of that period.[7]

One legend says that a monk in a desolated monastery somewhere between Córdoba and Seville had a vision of a little boy, telling him to pray. The monk had spent several hours praying and then he made a figure of the child.[8]

The House of Habsburg began ruling the Kingdom of Bohemia in 1526; the kingdom developed close ties with Spain. The statue first appeared in 1556, when María Maximiliana Manriquez de Lara y Mendoza brought the image to Bohemia upon her marriage to Czech nobleman Vratislav of Pernstyn.[9] An old legend in the Lobkowicz family reports that María’s mother, Doña Isabella, had been given the statue by Teresa of Ávila herself.[10] María received the family heirloom as a wedding present. In 1587, she gave it to her daughter, Polyxena of Lobkowicz as a wedding present.

In 1628, Princess Polyxena von Lobkowicz donated the statue to the impoverished Discalced Carmelite friars (White Friars).[9] Upon presenting it, the Princess Polyxena is reported to have said: “Venerable Fathers, I bring you my dearest possession. Honour this image and you shall never be poor.”[11]

The statue was placed in the oratory of the monastery of Our Lady of Victory, Prague, where special devotions to Jesus were offered before it twice a day. The Carmelite novices professed their vow of poverty in the presence of the Divine Infant.[8] Upon hearing of the Carmelites’ devotions and needs, the Emperor Ferdinand II of the House of Habsburg sent along 2,000 florins and a monthly stipend for their support…..

during an apostolic visit to the Czech Republic in September 2009, visited the Church of Our Lady Victorious in Prague and donated a golden crown with eight shells with numerous pearls and garnets, which is at present worn by the statue.[31] Since that year, the 1924 “cushion crown” of the image is now permanently kept in the Carmelite museum on display behind the church while the garnet crown donated by Benedict is the one that is permanently worn by the statue.

Several costly embroidered vestments have been donated by benefactors. Among those donated are those from Empress Maria Theresa and Emperor Ferdinand I of Austria, which are preserved to this day. A notable garment in the collection is an ermine cloak placed on the statue the first Sunday after Easter, which is the anniversary day of the coronation of the statue by the Archbishop of Prague Ernst Adalbert von Harrach on 4 April 1655.[11] In 1713 the clothing began to be changed according to the liturgical norms. Other valuable garments worn by the image are vestments studded with various gemstones, embroidered with gold, and silk fabrics as well as handmade lace customised purposely for the statue.

  • Green – Ordinary Time
  • Purple – Lent, Candlemas and Advent
  • Red or gold – Christmas and Easter
  • Royal blue – Immaculate Conception / Feast of Assumption.

The image ordinarily follows the liturgical colors[16] used by Catholic priests, as a representation of its priesthood.

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Display in Eason Listowel

Three men and their books…give me Neven any day!

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Clinton in Ballybunion

Photo; Bert Griffin

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An Cailín Ciúin

Having missed it earlier, I finally got to see the movie of Claire Keegan’s Foster. It was shown in St. John’s in a new co laboration with the Film Club while we are without a cinema proper in Listowel.

“What happened?” was the question asked of Cáit at the end of the film.

What happened was so deep and layered that it took me the guts of a week to process it all.

An Cailín Ciúin is not an Irish language film or even an English language one. The story is told in universal symbols that transcend language.

Water, water from a well in particular, is a symbol of renewal, of purity and of cleansing. Then there is bathing and a constant sweeping and washing in the cow house.

Food is important, fresh food and milk …the milk of human kindness.

Clothes are very much a symbol of who we are, a statement. It did not escape me that Eibhlín wore a trousers, unusual in a woman of that era.

This is story about love, about secrets, about death and grieving, about community, about family and particularly about parenting. It is about running away and running towards. it is ultimately a story about the redemptive power of love.

I loved the film. It should win an Oscar.

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Oh Sweet Irony!

I photographed this letter in one of last weekend’s newspapers.

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Of Cabbages and Kings

Bench surrounded by wild garlic in Gurtenard Wood, Listowel a few years ago

This photograph is meant to lift the spirits.

It says “if Winter comes, can Spring be far behind?’

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Spare me a Minute

My late mother -in -law had a phrase for this time of year, the hungry gap. It was referring to that time of year when few fresh vegetables apart from hardy greens were available in the greengrocers. That was in the era before freezers and food miles.

These days are also a hungry gap for your blogger as life is quiet and the weather is so inclement that only the brave or foolhardy venture out.

This is my excuse for including the following story which has absolutely no Listowel connection except that lots of Listowel people are talking about it.

This is the amusing window display in Bert’s Books in Swindon on January 10 2023. There is no such display in Woulfe’s.

I have not read the book and I dont intend to but I’ve seen snippets and I watched one interview.

It seems to me that Harry is casting himself as some kind of universal saviour with a message for us all .

He is hoping by sueing them to warn the paparazzi off and thus save us all from their intrusion. (Personally they’ve never bothered me that much)

By revealing the number of people he killed in Afghanistan, he says he hopes he is helping prevent the problem of suicide among war veterans.

There is one glaringly obvious saving mission he could embark on. His mother died tragically in Paris as she was being driven through a tunnel which allegedly had a dodgy camber, by a driver who had that day taken drink and drugs and was ordered by his boss to drive a powerful car with which he was not familiar. She was being pursued (‘chased” is Harry’s more emotive word). BUT she was not wearing a seat belt. Now a seat belt may not have saved her life considering the speed at which the car was travelling, but it just might have.

That’s my tuppence worth.

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Listowel Marching Band

Listowel Marching Band 1987…Photo: Charlie Nolan

Those were the days! Someone must have the stories. I’d love to record the origins and the history of this piece of Listowel history.

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Irish Antecedents Remembered

Kay Caball has done extensive research on the Famine girls from Kerry who were relocated to Australia. Here some of the other Irish girls are remembered at a ceremony last November. The account is from an online blog, Tinteán.

Descendant participants of VOICES with Irish Ambassador. L-R front: Julie Merrington, Ian Bowker, Noeleen Lloyd, His Excellency Ambassador Tim Mawe, Alicia Burnett, Sue Jacques.
Back: Gavan Duffy, Mark McAuliffe 

The Irish Famine Orphan Girls Commemoration event, held at Famine Rock in Williamstown in November, marked a return to the in-person event which has been an annual commemoration since 1998.

The special guest speakers included the Ambassador of Ireland to Australia, His Excellency Tim Mawe, who was accompanied by his wife Ms Patricia McCarthy. Two other guest speakers were the newly-elected Mayor Cr Tony Briffa and Cr Pamela Sutton-Legaud, both from Creative City Hobsons Bay, the major supporter of the event.  

This year, the commemoration committee searched for a new way of ‘bringing the girls to the table’, as it were, to somehow let the girls share their story with us, rather than us telling their stories.  This led to the creation of special presentation titled VOICES, written by Siobhan O’Neill. 

The presentation followed the journey from Famine to Australia – from Hunger to Hope – that was taken by the orphan girls of the Earl Grey Scheme. Each part represented the story of one orphan girl from each of the six ships that came to Melbourne. It was crafted in the first-person, and delivered by descendants of those six orphan girls. 

The presentation was led by committee member Noeleen Lloyd, herself a descendant with three orphan girls in her family. 

The featured stories included were:

  • Famine – Bridget ‘Biddy’ Kildea, a 15yo from Gleneely, Co Donegal, who arrived on the Lady Kennaway in 1848 with her sisters Margaret aged 18 and Ann aged 17. Biddy told us about famine, eviction, and the spectre of the workhouse in Donegal. Her story was read by her second-great-grandniece, Alicia Burnett.
  • Workhouse – Margaret Ryan, 15 years old from Roscrea, Co Tipperary. She was among the girls who arrived on the Pemberton in 1849.  She told us about her lost family, life in the Roscrea Workhouse, and talk of a new scheme to send girls to Australia. Margaret’s story was read by her second-great-granddaughter, Julie Merrington.
  • Earl Grey Scheme and Journey – Catherine Foran was 15 years old, and had lived in the Waterford Workhouse from the age of nine. She came to Port Phillip on board the New Liverpool in 1849. She told us of her six years in Waterford Workhouse, being chosen for the new scheme, and the epic voyage to Australia. Catherine’s story was shared by her second-great-grandson Gavan Duffy. 
     
  • Arrival and employment – Mary Margaret Hunt, a 17yo from Limavady, Co Derry, came to Australia on the Diadem in 1850. She told us about her hopes for employment, creating a successful life here, and the opportunities she envisioned in Melbourne. Margaret’s story was shared by her great-grandson, Ian Bowker. 
  • Building a new life – Lucy Ellis was 16 years old and from Newry, Co Down. She was one of 35 girls sent from the Newry Workhouse to Australia. Lucy arrived in Port Phillip on board the Derwent in 1850. She told us about getting settled in a new country, finding love, creating a home and raising a family on the plains outside Melbourne. Lucy’s story was shared by her second-great-granddaughter, Sue Jacques, who travelled to Melbourne from Queensland for the event. 
      
  • Legacy and Generations – Margaret O’Brien was a 15-year-old from Nenagh, Co Tipperary. She arrived, along with her 17-year-old sister Bridget, on board the Eliza Caroline in 1850, the last ship to bring girls with the Earl Grey Scheme to Port Phillip. Margaret told us about the lives she and her sister created here, both marrying Irish convict brothers, and the joys and hardships of their new life in North East Victoria. Margaret’s story was shared by her third-great-grandson, Mark McAuliffe.  

While the stories featured were interpretations based on facts in the lives of the named girl in each instance, they are essentially the stories of all Irish orphan girls. In giving the girls a voice, the Irish Famine Orphan Girls Commemoration 20222 paid homage to the courage and legacy of all of these remarkable young women.

Siobhan O’Neill

Siobhan convenes the Irish Famine Orphan Girls Commemoration Committee

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From my Inbox

My 2X Great  Grandfather, John Murphy, was from Listowel, Ahabeg, County Kerry. He married Johanna Cronin after arriving in the United States.  They were successful pioneer farmers in leavenworth County, Kansas.  I am planning a trip to Ireland in the SPRING  and am interested to find if the Murphy Farm House Bed And Breakfast could be home of relatives. 

Janice Fitzgibbon Hughes

Any help for Janice would be appreciated.

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TY Work Experience and Loving it

My granddaughter, Aisling, is in town this week doing her TY work experience in Listowel Writers’ Week office. Here she is, dead excited with the curator, Stephen Connolly, as they check out venues for this year’s programme.

Here she is at Listowel Courthouse where Stephen is composing this excited tweet

“too excited to wait to share this news: we’ll be doing an event with the authors of @badbridget (crime, mayhem and the lives of irish emigrant women) on the 1st of june in the town courthouse, pictured here with the work placement pupil aisling who is helping out at @writersweek”

I wasn’t familiar with Bad Bridget but I am now. I can’t wait for this enticing event.

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