Listowel Connection

This blog is a personal take on Listowel, Co. Kerry. I am writing for anyone anywhere with a Listowel connection but especially for sons and daughters of Listowel who find themselves far from home. Contact me at listowelconnection@gmail.com

Sad stories and beautiful Jewellery

Doon Cottage photographed by Kevin Danagher; Photo is in the National Library

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Celtic Art…A Listowel Connection

Many knitting stitches are inspired by celtic knots and patterns. This is the nearest I get to being a celtic artist.

A young lady who grew up in Listowel and is now a highly rated goldsmith/silversmith was surely influenced by her Listowel surroundings as she walked our streets.

Eileen Moylan in her workshop. Photo TG 4

This is Eileen’s Celtic love-knot pendant.

“Two hearts intertwine through an infinity symbol to create a distinctive Celtic design. With no beginning and no end, this Celtic love knot represents eternal love.”

The unique Celtic Torc Pendant crafted from solid gold.

“This striking piece carries intricate panels of Celtic knotwork. With no beginning and no end, the Celtic knot offers a symbol of eternity. The ancient torc, believed to have been worn as symbol of protection, as a talisman for protection.”

These are just 2 pieces from Eileen’s online shop. She also handcrafts beautiful custom pieces for clients at home and abroad in her studio in Macroom.

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A Sad Event Commemorated in a play

A Play, The Bell Ringer  by Charlie McCarthy had its first staging in Schoolyard Theatre Charleville on Feb 2 2023. It is a reminder of one of the saddest events to ever happen in this country outside of wartime.

Photo…Schoolyard Theatre on Facebook

Gerard Greaney researched this disaster. Here is his comprehensive story with all its heart rending and poignant details.

“Here is a piece I wrote  a few years ago on  the Cinema Fire Disaster in Dromcollogher when 48 people, over 10% of the town’s population, perished in a blaze.” Gerard Greaney

Cinema fire.

On Sunday 5th September 1926, forty-eight people lost their lives when a fire broke out during a film show in Dromcollogher, Co. Limerick. The two films, which had been brought from Cork by a projectionist hired by a local man, were shown in the hall in Church St. This was on the upper floor of a building used for storing hardware and access to it was by an external timber ladder, fixed to the wall to form a stairs. The hall, which had been used for meetings and entertainments for a number of years, was a rectangular room with a separate small dressing room area in the right hand rear corner.

The show began about 9:15 p.m. after Benediction had finished in the local church, at which many of the audience had been present. Estimates of the attendance varied but it appears that at least 150 people crowded into the hall, many of them children.

At around 10:00 p.m. as the second film was showing, one of the reels, which lay unprotected on a table near the door, went on fire when a candle on the table overturned and set it alight. The people immediately rushed to the single narrow door from which the ladder/stairs descended. Those seated nearest the exit escaped as the fire spread rapidly. Others fled to the rear of the hall where the two windows were located and they crowded into the small dressing room area. Some got out through the window and jumped on to a nearby hay rick. Unfortunately, the window exit was blocked when a woman became trapped in it. Within minutes the floor of the hall collapsed and the victims were hurtled to the ground where they died from the combination of burns, asphyxiation and shock. 46 people were dead within fifteen minutes. Two survivors later died from their injuries.

More than half of the victims were aged under twenty-five, nineteen were less than twenty years old and fifteen were children. The two youngest victims were both just seven years of age, Thomas Noonan and John Kenny. The Kenny family of Carraward also lost a second son, John’s twelve-year-old brother, James. The oldest to die was sixty eight year old Mary Turner from Gardenfield. Jeremiah Buckley, a fifty-two year old national teacher, his wife, Ellen (47), daughter Bridie (10), sister-in-law Kate Wall (45) and their maid, Nora Kirwan (18) all perished. This entire household on the Square was wiped out. The family terrier was to be seen whining at the door next day. Bridie would have celebrated her eleventh birthday on the following Thursday. Thomas Buckley (62), Woodfield, Jeremiah’s brother, also died. The Buckleys were the only married couple among the victims.

Margaret Collins (60) and Kate Collins (58) died along with Kate’s daughter (22) and two nieces from Sheshive, Nora (22) and Myra O’Sullivan (21). There were two sad cases of the death of young mothers and two of their children. Mary Barrett (34) of Carraward and two of her five children, Mollie (10) and Tom, Anne Fitzgerald (37) of Pike St. with two of her three children, daughter Margaret (10) and son Daniel. Equally poignant was the death of Kate McAuliffe (56), her fifteen-year-old daughter Mary and eleven-year-old son John, leaving Florence McAuliffe (53) of Church St. without his entire family. Mary B. O’Brien (51) from Kells died alongside her only child, Nellie (18) leaving an invalid, wheelchair bound husband. 

Patrick O’Donnell (62), Pike St. stayed in the hall looking for his wife Katie and young daughter Mary unaware that they had escaped through the window. Mary (O’ Flynn) was the last known survivor and passed away a few years ago. Among the other victims was May O’Brien (24) of Church St. who was engaged to marry local Garda John Davis, Nora Mary Hannigan (11), a London resident, who was visiting relatives in the town and Violet Irwin (15) from the nearby village of Feenagh. Edward Stack (22), a farm labourer working for the O’Sullivan family in Mondellihy, was from Duagh, Co. Kerry and John J. Walsh was a national teacher in Milford. All the other victims were from the parish of Dromcollogher. Most of these lived in the village itself. Ten were from Pike St.

One of the victims had not even been at the show. William Savage, a 56-year-old butcher and farmer, who lived across the road, was incorrectly told that his two sons were trapped and he rushed into the burning building from which he never emerged. Robert Aherne, a 31-year-old publican, also lived in Church St. He had only been married for five months. He escaped with his wife Nora, who was expecting their first child but returned to try to rescue his mother-in-law, Anne O’Callaghan and perished along with her. Thomas Buckley a retired schoolteacher and Jim Quaid, 39-year-old farmer stayed in the building helping others to escape. They both lost their own lives.

Burial

Newspaper photo of funeral

Special permission was obtained from the Bishop of Limerick, Most Rev. Dr. David Keane, to allow a communal burial of all the victims in the church grounds. The funeral Mass on Tuesday 7th of September was attended by the bishop and by William T. Cosgrave, President of the Executive Council, as the head of the government was then styled. The parish priest of Dromcollogher, John Canon Begley, presided while the celebrant of the mass was Rev. Daniel O’Callaghan son of one of the victims, Mary Anne O’Callaghan (61).

A benevolent fund was established and money poured in from all over the world. Those affected received various amounts, some as lump sums, most sent in instalments every quarter to the dependants of the victims, and to some of the injured survivors, until the 1950’s. For many the burning money was a much needed and welcome supplement  

In the 1940’s the site of the hall was bought by the relatives of the victims and given to Limerick County Council who erected an attractively designed Memorial Library there, where framed photographs, contemporary newspapers and other materials relating to the tragedy are displayed. A large Celtic style cross marks the communal grave in the nearby churchyard on which are inscribed the names and dates of birth of all forty-eight victims, innocent men, women and children whose lives were so unexpectedly and cruelly ended on that September night of horror, ninety seven years ago.

The mass grave in Dromcollogher Church yard where all but two of the victims are buried

Photo online

Names of the Deceased

William R. Aherne Mary Barrett Mary Barrett

Thomas Barrett Bridget Buckley Ellen Buckley

Jeremiah Buckley Thomas Buckley Kate Collins

Kate Collins Margaret Collins Mary Egan

Anne Fitzgerald Daniel Fitzgerald Margaret Fitzgerald

Nora-Mary Hannigan Maurice Hartnett Daniel Horan

Violet Irwin James Kenny John Kenny

James Kirwan Margaret Kirwan Nora Kirwan

Nora Long Catherine McAuliffe John McCarthy

Mary McAuliffe Anthony McAuliffe Ellen Madden

Thomas Noonan Mary-Ita Nunan Ellen O’Brien

Mary O’Brien  Mary B. O’Brien  Mary O’Callaghan

Patrick O’Donnell Eugene O’Sullivan Mary O’Sullivan

Nora O’Sullivan James Quaid William Quirke

William Savage  Bridget Sheehan  Edward Stack

Mary Turner  Kate Wall  John J. Walsh

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Chapel on the Hill

I recently bought a new car. I bought it in O’Callaghan’s Kanturk. This is a view from the forecourt of the car dealership; the picturesque old Protestant church is now unoccupied but still beautiful.

Families like Sheltons, Prouse, Sharpe and Bolster worshipped there in my time. It was, of course, forbidden for us Catholics to cross the threshold!

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A Historian and An Artist

UCC in January 2023

I took a trip down memory lane recently. I visited by Alma Mater, UCC. The many changes have blended in beautifully and much of the campus was recognisable from my student days.

I entered by the Gaol gate. Any bikes that were here in my day were the students’ own.

In the 1970s the gate lodge was just that and the gatekeeper lived there.

The arch looking towards the quad was just the same.

The stoney corridor with its Ogham stones was where our exam results were posted for all to see.

The Aula Maxima was used for study and as an exam centre.

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Listowel Library

The library is a great resource. It seems to get better with each passing month.

February’s treat for us is a series of talks by local historian, Vincent Carmody. Vincent is a fount of knowledge about so many aspects of Listowel. These are bound to be great events.

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Listowel Emmetts

Listowel Emmetts have shared a 2002 letter from John B. Keane to Stephen Stack, chair of the committee fundraising to develop Sheehy Park,

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The Influence of Celtic Art

The place where you live, the sights you see everyday, inevitably influence you. There is a theory that people who live in Listowel become writers by osmosis. It appears to me that people of an artist bent who spend time in Listowel become artists in the celtic genre.

Literally every street corner is adorned with scrolls and swirls in the style of the old celtic artists.

One such artist was Vincent O’Connor

V.L O’Connor was born in Church St, Listowel on July 8th 1888 to Listowel natives, Daniel O’Connor and Elizabeth (Bessie) Wilmot. His father was a retired Sergeant Major of the 1st battalion of the Lincolnshire Regiment. The family moved to Dingle where Daniel took up the position of Station Master. On his death in 1898 the family relocated to Tralee where Bessie ran a hotel on Nelson St.

Vincent was a very accomplished artist from an early age and took up a teaching post in the Christian Brothers in 1904. He also studied art under William Orpen.

Vincent emigrated to the USA in 1915 sailing on the Lusitania. He taught at Notre Dame university for a number of years. In 1916 he published a book of 18 caricatures of notable people of the time, including Douglas Hyde, Alice Stopford Green, GB Shaw and others.

When the Irish government was invited to take part in the 1933 Chicago World’s Fair, also known as the Century of Progress International Exposition, they were initially reticent. Tariffs and trade barriers meant there was little prospect of any financial gain. Eventually they decided to participate because ‘considerations such as those connected with national publicity and prestige might outweigh the more tangible considerations of trading advantage’.

Ireland sent a cultural and industrial display that was housed in the monumental Travel and Transport building. When the Fair organizers decided to run the event again in 1934, numerous countries—including the Irish Free State—did not participate and their places were taken by private concessions. However, there were a number of events that the Irish State did participate in during the second manifestation, the most prominent was an open air theatrical pageant representing Irish history, The Pageant of the Celt. Irish Consul General in Chicago, Daniel J. McGrath, was on the executive committee of the production.

The Pageant took place on the 28th and 29th August, 1934, at Chicago’s main sports stadium, Soldier’s Field, in front of large ‘marvellous’ crowds. Although the pageant is credited to Irish- American attorney John V. Ryan, it was most likely co-developed with its narrator Micheál MacLiammóir, to whose work it bears similarities. Some contemporary reports credit it solely to MacLiammóir. The Pageant was produced by Hilton Edwards and covered the period of Irish history from pre-Christian times to the Easter Rising of 1916 and it had almost two thousand participants. Subjects like the imperfect resolution to the War of Independence with Britain in 1921 and the subsequent Civil War were still fresh in people’s memory and, as in the earlier MacLiammóir pageants, were avoided.

The program itself has a richly decorated cover and small illustrations and decorated capitals throughout by Irish-American artist Vincent Louis O’Connor (c.1884-1974). The cover contrasts Celtic Ireland with modern Chicago. Round towers are juxta positioned with skyscrapers, separated by clouds, both icons of their time and the spirit of their respective ages. A man and a woman in distinctive ancient Irish dress festooned with a Tara brooch, stand on Ireland’s green shore facing the Atlantic. These and Saint Brendan’s ship anchored, trademarked with a Celtic cross, signifying the Irish-American connection. This was an Irish pageant suitable for diaspora consumption, with its mix of the mythical and ancient, cultured and catholic, distinctive and unique, oppressed but not beaten, leading to phoenix-like revolution and rebuilding.

David O’Sullivan found all of this information for us and he also sourced these obituaries to the artist.

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People of Yesteryear

Today is February 6 2023, our first ever St. Bridget’s Day national holiday.

Restored old mill in Kanturk, Co. Cork

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Faces of North Kerry

This is one of the Jill Freedman photographs that is part of a project being undertaken by Des Byrne.

The late photographer, Jill Freedman, made several visits to Listowel, Finuge and North Kerry in the 1970s and ’80s. She loved to meet local people on the streets and in the pubs. She particularly loved Irish music and musicians.

In Moloney’s

She made many friends during her sojourns here and she took lots of photographs.

According to Donal Nolan’s article in this week’s Kerryman. a fellow photographer, Des Byrne, has, with the permission of the Freedman estate, released some of the photographs in the hopes of finding the people who are in them.

Email hecht1@gmail.com if you can identify any faces or if you think you can help Des with his project.

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Galvin’s

Galvin’s of William Street is a very different shopfront to others in Listowel.

According to experts the wooden facade is most likely the work of Reidy’s of Killarney.

The beautiful mosaic work in the shop name was covered up for years. During the War of Independence it was against the law to have a shop name in Irish so a sign saying J.J. Galvin covered up the mosaic one.

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From The Advertiser

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For the Diary

First up tomorrow evening is local writer, Emma Larkin

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Billiards and Wrecks

Vincent de Paul charity shop on Upper William Street, Listowel

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St. Patrick’s Hall

St. Patrick’s Hall, Listowel to some of a certain age will always be The Bandsroom. Once upon a time this parish hall was a very male preserve.

Here is an account given a few years’ ago by local historian, Vincent Carmody.

Final of the billiard tournament in St. Patrick’s Hall, Listowel in 1954/55

Front Row;  Seán Stack, Francie Holly, Eamon Stack, Moss Carmody, John Enright, David Roche, John (Chuck) Roche, Tom Murphy, Simon Kelliher, Michael Mc Guinness, J.J. Rohan

Back Row:  Danny Enright, Matt Kennelly, Michael O’Connor, P.J. Maher, Frankie White, Tim (Windy) Kelliher, Dan Lou Sweeney (with glasses)

Backround: Ned Stack (caretaker), Fr. Michael Keane (C.C. Listowel) (Uncle of Moss Keane )

St Patrick’s Hall, a brief history by Vincent Carmody

There was an active Temperance Society in Listowel at the end of the nineteenth century, this committee were anxious to have a meeting place and after some protracted negotiations with Lord Listowel’s agent  they were facilitated with a site where the present hall now stands.The committee comprised of the following, Lar. Buckley, Maurice Kerins, Con Kearney, Maurice Scanlon, Michael O Sullivan and John Kirby. 

Fund raising began at once and the agreed contract price of £293 was quickly risen. Soon afterwards building commenced and was completed within an agreed twenty two weeks. The builder was Mr Michael Costello of Church Street.

An interesting aside is that the builder was bound by a contract clause that he was libel to pay a penalty of £1 for each week of part of for any over run. The committee appointed Mr Maurice Nugent, then coach-builder to the Lartigue to act on their behalf. Fealy Brothers supplied all building material.

When built, the hall became the focus for much Parish activity. A very fine Brass & Reed band which had been active in the town for some years were facilitated with the use of the upstairs room as a bands room, the balcony from this room overlooking Upper William Street was used as a stage for many outdoor summer evening performances. The main room downstairs was used for card games, billiard and snooker, the towns musical society of the day also used the hall and the billiard tables were used as an improvised stage.

In 1895 a split occurred in the local GAA club and for a number of years afterwards the Temperance Society affiliated a team in the Kerry Co. Championship known as St. Patrick’s. 

In March 1907 a set of nineteen general rules were drawn up and unanimously adopted. These rules gave a clear indication of the moral code which the members were expected to adhere to.

In 1936, a branch of the Catholic Young Mens Society was started, this incorporated a study circle and lectures were given on various nights. One of these had Paddy Fitzgibbon (senior) speaking on the topic “Is Ireland ripe for Communism?”

Also, the same year saw a move into the electronic age with the procurement of a radio. This was very popular, especially on Summer Sundays with live transmission of GAA matches.

Over the years, whist drives were organised as fundraisers, a bridge club was also set up under the chairmanship of local photographer, Jimmy Adams.

From the 1920’s all band activity was under the baton of James Hennessy.  He had served in the British Army as a bandsman in his younger days and besides being a noted musician he also was a strict disciplinarian.  However allied to his retirement in the 1940s and a lack of genuine interest shown by the younger members it was decided to cease band activity, and so the band which had given so much joy the followers near and far for over fifty years was no more.

Father Sayers arrived as a new curate in Listowel the early 1940s, and was appointed as Spiritual Director to the Society.  At the first committee meeting which he attended it became apparent that he was determined to leave his imprint with a set of new rules and regulations which he proposed. These caused immediate resentment. Some of these were,

In future the Hall would be referred to as St. Patrick’s Catholic Hall,

He in future would nominate all committees, (this was a break in tradition, as from 1905, members elected half of the committee of sixteen)

Membership of the men’s confraternity had to be strictly adhered to by all members.

Fr. Sayers, who was vehemently anti-drink, decreed that anyone he suspected of entering the hall having taken drink would be suspended. Many members resigned at this point and the position was further escalated by the announcement that the front door lock was to be changed and entry would be permitted to key holders only. During this period also the now unused band instruments which had been stored in the upstairs bands room were sold without any consultation with the older members who had been part of and had always hoped for a reformation of the band. 

The resignation of so many of former active committee members must have had an immediate effect on Fr. Sayers.  He relented on much of what he had tried to implement. Sanity prevailed and things resumed in a more lax mode with Fr Sayers taking a more demure back seat role.

Following the war years, under a new and younger management, the hall went from strength to strength.  Billiard tournaments were organised with clubs from other towns, card games of Poker, Solo, Patience and Whist were popular, while Jimmy Adams and Super Mulcahy again revived the dormant Bridge club. An annual dinner dance was organised (a ladies committee was chosen to run this, even though membership of the Society was for men only). The hall remained in great use and activities were most popular especially during the months from August to May, however by the late 1950s the condition of the hall in general, now built over sixty years had started to decline and a revamp was badly needed. 

Again it was in the form of a new Curate as Spiritual Director that was to effect changes, Fr. Michael Keane arrival in Listowel was to herald a new beginning for the hall.  A tireless worker, he gathered around him a band of fellow workers and so began a whole array of improvements, the first since 1893.

During the late 1950s and 1960s the hall was once again the centre of winter activities and one of the most popular fundraisers was the holding of Pongo during Listowel Races. However by the latter part of the decade a steady decline of membership had begun. This would have been mainly due to emigration and a host of other social activities which had become popular by this time.

The hall had closed by 1970 and the billiard and snooker tables were dismantled. One particular group showed interest in taking it and running it as a private members club, the local council were said to be interested in buying it, with a view to knocking it in order to give wider access to a council car park at the rear of Charles St./Upper William St.

During the 1970/80s it mainly served as a hub and office space during Writers Week, Fleadh Cheoil, Listowel Races and as headquarters of a youth club. By the 1990s a very vibrant active retirement group under the Chairmanship of Michael O Sullivan and they with the youth club  began a series of fund raising draws to find money to implement some repairs. Again a young Curate got involved, Fr John Kerins.  Meetings took place and with the funds already collected along with grants promised by Tuatha Ciarraí and North Kerry Together, the committee set up to oversee the changes sought and got FAS to carry out the restoration work. Work started and was completed in 2002. The major improvements have left us with a building that looks better than ever, since the re-opening has once again been the centre of a multiplicity of events and groups. Hopefully it will again serve the town and its people for the duration of the twenty first century as it has done for the previous hundred years.  

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Good Bridget, Bad Bridget

February 2023 for me is all about saints and sinners. I have just bought my copy of Bad Bridget in Woulfe’s and now I’m looking forward to reading it in preparation for Elaine and Leanne’s visit to Listowel for Writers’ Week 2023.

Their event is set to be held in Listowel Courthouse, a setting familiar to Bad Bridgets.

The boys of Scoil Realta na Maidine made and sold St. Bridget’s crosses.

Eileen Moylan’s beautiful silver or gold crosses were in great demand after her appearance on Imeall. People have asked me to share the link here.

Imeall

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Shipwrecks

For those slack days during early spring, Jim Ryan sent us this link to while away a few hours. It’s a link to the National Monuments Service wreck viewer website.

Here is the link; Wrecks

The site has details of all the shipwrecks off our coast and there were a lot clustered around the Shannon estuary.

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From the Mailbag

I’m a distant relation of Sean (John) Lenane who died in 1923 (buried at Gael Graveyard outside Listowel). I’m wondering if you would know of any Listowel or area commemorations occuring for those who lost their lives in the Civil War. I’m not from the area but would love to attend if there are any such events in the months ahead. Thanks in advance if there is any information you’ll be posting in your blog or could email. 

Patricia O’Halloran (on behalf of my Mom in photo)

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Writing

Listowel Town Square , February 2023

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A Pillar Postbox

I photographed this pillarbox on College Road, Cork

This box dates from the reign of George V 1901 to 1936.

I know that there is a decline in the amounts of mail sent nowadays and it costs to maintain them and to have someone go every day and empty these boxes but I really hope these artefacts are never removed from our streets. They are part of our history.

I photographed this more recent one in Mallow train station. It is ugly, utilitarian and as for “post office’! What’s that about?

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An Cailín Ciúin…a Listowel connection

“The apparel oft proclaims the man.”

Costume is just another way of telling the story and the beautifully evocative costumes in An Cailín Ciúin were the work of costume and wardrobe designer Louise Stanton.

Neil Brosnan shared this great connection with us.

“You recently mentioned Eibhlín wearing trousers in An Cailín Ciúin. I’m glad to say that Bray designer, Louise Stanton, is responsible for the wardrobe of the film – Louise is the sister of my partner, Gina Kelly. Louise personally made many of the costumes, including Cáit’s iconic lemon dress. The knitted and crocheted items were crafted by Louise’s 92 year-old mother, Marie Kelly, and her knitting circle friends in Castlebridge in Wexford, The Joe Heney movie ‘Song of Granite’, and Roddy Doyle’s, ‘Rosie’ are among Louise’s previous projects, along with the forthcoming RTE series ‘The Dry’. Louise is presently working on writer/director Pat Collins’s production of John McGahern’s ‘That they may face the rising sun’.”

Cáit in the iconic yellow dress running towards her happy place.

Cáit with the washing in the background, dull colourless, grey garments, symbols of her old life.

Of course anyone who saw the film will know the significance of boys’ clothes and girls’ clothes and the huge symbolism of buying the new dresses.

Then there was the poncho. I couldn’t find a picture but I recognised it well. We all had one in my young days and we thought we were the height of fashion. I think it was my first useless garment. It didn’t keep you warm so was useless as a replacement for a cardigan or jumper but we thought it was stylish. I was delighted to hear that Louise and Gina’s elderly mother and her crafter friends made this. Maybe she even once wore one.

I can’t wait to see this marvellous film again.

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Just Write

Listowel’s creative writing group celebrated 20 years together on Saturday January 28 2013.

They had cake, songs and readings, lots of chat and reminiscing and Helen Broderick took a few photos.

Helen Broderick
Some of the group’s published works

Just a few of the many contributors on the day.

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Something to Look forward to

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