This blog is a personal take on Listowel, Co. Kerry. I am writing for anyone anywhere with a Listowel connection but especially for sons and daughters of Listowel who find themselves far from home. Contact me at listowelconnection@gmail.com

Tag: Liam O’Connor

Tinteán

Easter altar in Ballylongford photographed by Helen Lane

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John Molyneaux R.I.P.

This photograph was shared by Martin Moore. A young John Molyneaux is on the right in front. Martin’s Dad, Michael Moore R.I.P. is in the centre at the back.

David Kissane’s Tribute to his former teacher, John Molyneaux continued;

We take up the story here at David’s first days in St. Michael’s.

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The teachers strode in in turn as the classes revealed themselves. In strode Mr John Molyneaux through the door on our left for our Latin class. Head down, full stride, total silence and up to put his back to the blackboard. He exuded authority. The type of authority that God had in the Old Testament. Lists of books and accoutrements were delivered and warnings about homework and dedication as Mr Molyneaux scanned the class for possible trouble. Or worse. Laziness. Yes sir, we understood what was required. The weight of the college began to be felt. We felt a funeral in our brains as Emily Dickinson had written to the west in the US.

And for the five years that most of our class of ’72 spent in the two upstairs rooms in St Michael’s College, John Molyneaux was a teacher. First and foremost as our Latin teacher, a subject he imparted with the timorem dei (fear of god) that the Roman emperors whom he taught us about had possessed. The amo, amas, amat, amamus, amatis, amant that was drilled into us, by both Mr Molyneaux and ourselves, frightened and excited us all at once as he word amo means “I love” and encouraged all sorts of possibilities in our hungry minds. He had an ice of character when teaching in those early days. Roman history was more interesting and the perusing of our text “The Story of the Roman People” by Tappan was immediately a hit with boys interested in war and fighting. We grew into the Latin and the other subjects by hook and by crook. Vercingetorix, Hannibal, Cato, Pompey, Crassus, Romulus and Remus, Lucullus, Cicero, Augustus, the Carthaginians and the Vandals. They became part of our psyche and brought us into a world of battles and wars of the past as the Vietnam war was part of our present in the late 1960s and early 1970s. 

Mr Molyneaux also grew as a character and had his bridging nuances when required. One phrase of his became legendary: “Oh ho!” It was often uttered when a student had made a slip-up in an answer and could have unfortunate consequences but was also used in humorous tales that he would refer to in the course of an aside to the regular routine. When Julius Caesar was faced by daggers, and Brutus (his so-called friend) was among them, the emperor was heard to say “Oh ho!” before the eternal “Et tu, Brute!” According to Mr Molyneaux.

And then there were the English derivatives of Latin words that he usually found a funny angle to explain. When clarifying that the word bullet came from the Latin word for a locket, “bulla” he would have us know that a locket was a shell-like object with a charm inside, ie the gunpowder! Smiles and nods all round. A question about the Latin word “mappa” was answered by one student (from Lisselton) by stating that the word “nappy” derived from it, rather than napkin! Not far away though and Mr Molyneaux smiled at the verbal typo. One all.

Old Latin sayings are a treasure trove of knowledge and he provided the key more more than once. There was the “quis costodiet custodes?” one…who watches the watchers? He related a story about a meeting he was at the week before to appoint river wardens for the Feale and had used the saying to remind the meeting of the necessity to keep an eye on the wardens as well! It reminded us that Mr Molyneaux had another life outside teaching and revealed that in fact he was active in numerous committees. A multi-dimensional human being who contributed to the community that he was born into.

We discovered the further versatility of our Latin teacher when he became our English teacher for Inter Cert. He was immersed in the English language and we were amazed that there was another dimension to his classroom self. Shakespeare’s Merchant of Venice is especially remembered as the play he shared with us. He enunciated the central theme of the play with incredible expertise and for many of us that was our way into the genius that was Shakespeare: “How many things by season season’d are?” and “the quality of mercy is not strained” still taste to the memory lollipop.

 I can see Mr Molyneaux now sitting on top of a desk at the head of our thick-walled classroom in St Michael’s on an April day with the world waking up outside and inner worlds waking up in all of us. The red-covered Merchant book in his hand and his gifts as a storyteller casting a spell over the hushed room. All teachers are storytellers and John Molyneaux was a gifted one. No videos or opportunities to see the actual play in those days. It was happening on the classroom stage and in the words of the teacher. The climax of the play had arrived. Shylock had demanded his pound of flesh for a loan not returned by Gratiano and the judge Portia had asked the shivering Gratiano to lay bare his chest for the knife of Shylock. We feasted on John Molyneaux’s words as Portia dramatically adds “But in the cutting, if thou dost shed one drop of Christian blood, thy lands and goods are confiscate unto the state of Venice”. We were showered with the magic of the words. And the world beyond time and place. Our new world.

The labels of Jew and Christian would be worked out later when our understanding of religion would be challenged in the years ahead, but something magical had happened that day in our English class. In fact, something magical happened in every class most days.

Gradually his influence came to bear in many other ways. His artistic style of hand-writing was emulated by some of us…a not-joined-up style with the peculiar three-pronged independent letter that was copied and used by this student for the rest of his life. The mention of hand-writing may be a mystery to modern students but in the heady days of 1967-1972 it as a status symbol in many ways. It was also the messaging system to girlfriends and pen pals and family.

One of the abiding memories of Mr Molyneaux’s classes is the Saturday morning westerns’ lends. What? Saturday morning? Yeah, we went to St Michael’s for a half day on Saturday for a few years! Westerns? Yeah! Every Saturday at the end of the Latin class, he would bring in a box of Westerns to lend to us for the week. The genre was very popular at the time with boys and men and authors like Zane Grey and Oliver Strange (the Sudden series) were among the most read. In my case my father always read the borrowed Westerns, and the father of my friend Gerard Neville from Inch likewise fed on the books. 

(More tomorrow)

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A New Chapter for Ballybunion’s Tinteán

This huge theatre, 517 seats, has been beset by problems for a long time. It is brave and enterprising of the new committee to take it on and attempt to revive it and fulfill the dream of its founder, Micheál Carr.

The first concert at Easter 2022 was a great success.

Liam O’Connor, Brian Kennedy and Jimmy Deenihan

There is an ambitious programme planned for the coming months. Let’s hope it is a huge success.

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Meanwhile back in 1968

Once upon a time in Listowel, the highlight of the social calendar was McKenna’s Staff annual Social. You did not have to work in McKenna’s to get a ticket.

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Ah lads, what’s going on here ?

I hope the further notice is coming shortly.

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Moyvane Concert, Woman’s Way Cover 1969 and a Poem from Australia



Photo: Christopher Bourke, Malow Camera Club

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Dioscesan News 


Letter from Frances Rowland


While we will not be able to participate physically in Mass this weekend, we will be able to pray the Mass with the celebrations being held online. If you wish to look at the Mass being broadcast over the internet, here are some of the churches in the diocese where Mass is being broadcast. 

http://www.stbrendansparishtralee.net/            Saturdays 6.30pm, Sundays 10 am, 11.15am, 12.30pm,

Weekdays 9.30 am

http://listowelparish.com/                          Saturdays 6.15pm, Sundays 9am and  11.30am

Weekdays 10.30 am

http://www.killarneyparish.com/            Saturdays 6.15pm, Sundays 8am, 10.30am, 12 noon,

Weekdays 10.30 am and 6.15pm

https://naomhmuire.wordpress.com/   Saturdays 8pm, Sundays 11.30am

https://www.churchservices.tv/castleisland       Saturdays 6.15pm, Sundays 11.30am, Weekdays 11am

It is only in the gravest circumstances that Masses are cancelled. Being unable to go to Mass this weekend will make us more conscious of the gift of being able to attend Mass usually and realise the importance of the Eucharist in our lives. We can revive the practice of Spiritual Communion as we unite ourselves, from our homes, with the sacrifice being offered. We can also be in spiritual communion with all those throughout the world who are not able to attend Mass for different reasons.

We unite as sisters and brothers of Jesus Christ, standing together in the hope he brings.

With kind regards,

Frances

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Moyvane Concert


Elizabeth Brosnan took some great photos at the recent concert featuring Liam O’Connor and family band, Brian Kennedy and local dancers which was held in Moyvane church to raise funds for the upkeep of the church.

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The Light of Other Days


Mattie Lennon sent us this screen grab of the cover of Woman’s Way from November  1969. The cover featured the Housewife of the Year and her family.

The winner of the Calor sponsored competition was Mrs. Ann McStay and she was the first Dublin winner of the title.

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The Diaspora

Around the world there are millions of people whose ancestors came from Ireland. Many of these people were raised on stories of life in Ireland in their forefathers time. They have grown up with a love and appreciation of our Irish songs and dances, our traditions and our gift for poetry,

One such person was the late Australian Bush poet, Martin O’Brien. His ancestors on both sides fled Ireland during the Great Hunger. He knew that his great grandmother on his father’s side was evicted with her 9 children. The mother died and how the children made their way to Australia is unclear.

In this poem Martin echoes the longing of many emigrants to seek out the place of birth of their Irish antecedents. Many long to walk in the footsteps of their forefathers, to reconnect with the land they were forced unwillingly to leave.

THEIR    LAND

I hope one day I’ll leave this land

to go from whence they came,

and travel far across the sea

so there at last my eyes will see

the land from which they came.

I know I never will belong
to my ancestors’ land,
but still I’d like one time to see
(if God should grant that time to me),
the land that was their land.

I want to see the sights they saw
and hear the sounds they heard,
because that land still holds some claim  –
more than just an Irish name  –
some thing unsaid, yet heard.

I want to feel the living soil
they felt beneath their feet;
to watch the sun rise there, and set,
and go to places where they met,
and then to make complete …….

I want to walk some ancient track
where their young feet once lept,
to feel the pain as they had done
when their own exile had begun,
and weep where they once wept.

I know I never will belong
to my ancestors’ land,
but still I’d like some time to see
(if God should grant that time to me)
the land that was their land.

July, 1994.

I found this poem on a great website called  Tinteán

 About Martin O’Brien

Martin grew up on the O’Brien family dairy farm at Mount Burrell in the upper reaches of the Tweed River. After high school at St John’s College, Woodlawn, he spent many years as a seasonal worker – cutting cane and picking fruit – mainly on the Tweed, at Tully (Nth Qld) and in Mildura (Vic). In the off-seasons, he returned home to work on the farm. After the dairy crash in the mid-1960s, the family moved out off dairying into beef cattle production, building up (from their AIS milkers) one of the first herds of Charolais cattle on the Tweed. With increasingly lower beef prices towards the end of the 1970s, Martin was only able to work part-time on the farm, and obtained local off-farm work – mainly in sawmills. Tragically, on Christmas Eve 2013, Martin was killed in a tractor accident on the family farm.

He is a poet in the vernacular Bush Ballad tradition and was a finalist in the 1996 Poet Laureate Award at the Tamworth Music Festival.

Martin was deeply interested in his Irish heritage (on both his Mother’s and Father’s side of his family). These two poems are from Martin’s unpublished ‘Irish Collection

Liam O’Connor, Opening Night LWW 2019, Harnett reunion and Brona Chocolates

Listowel Town Square in Summer 2019




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Liam O’Connor at Writers’ Week 2019

Liam O’Connor is the very definition of a virtuoso musician and he brought his A game to Listowel on Opening Night 2019. He had the audience in the palm of his hand as he ‘worked the room” and set the scene for a great night.

Liam had many many fans in the audience. I took photos of a few of them.

Liam grew up not far from me in North Cork and he cut his teeth playing with his father in the family band. It was lovely to see Liam following in his late dad’s footsteps as he was joined on the stage by his daughter and son.

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Some More People snapped on May 29 2019



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Calling all Harnetts


HARNETT REUNION: 

Carina Prendeville is currently working on their magazine and is looking for family pictures, stories, histories.  You can contact her on harnettreunion2019@gmail.com 

 A full programme organised for our visitors but it is also open to anyone to join.  Free admission on Friday, July 12 to the Genealogy workshops and the Patie Boy Historical Collection in the Devon Inn.  Tickets for the variety concert in Tournafulla on Friday, July 12 will be available on the door. Brian Harnett Tenor has confirmed that he will be performing.  Tickets for the Gala banquet and bus tour available from Batt Harnett or Ann Lyons. There will be genealogy, bus tours, a concert, a gala banquet and a memorial Mass, all at different venues around West Limerick/North Kerry.

The event is open to everybody.

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North Kerry Chocolate…Brona


I have met these chocolatiers at several fairs. Here is their story.


Brona Chocolate is produced on the banks of the river Feale in North Kerry which is in the beautiful south-west corner of Ireland. We are a family-run artisan chocolate producer dedicated to producing the highest quality chocolate products from the best available ingredients.

My wife Noreen and our three highly skilled team of tasters Tadhg, Harry and Brona, after whom the business is named, all help out.  We use as much local produce and as many local suppliers as possible.


The idea for Brona Chocolate initiated from running our shop, Mr Duffy’s Traditional Sweetshop in Tralee. Though we were stocking Irish chocolate (and there are many brilliant Irish chocolatiers) we felt that nobody was producing a large range of bars such as we were having to import from the UK and Europe. So began an incredible journey into research and training.

Little did I know that chocolate is the most complex compound known to science with over 1500 identified flavour components (compared to 500 in wine).

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So Sad




When they were students together at UCC and for their 50 years of happy marriage, Anne and Jimmy Moloney were inseparable. Sadly they passed away less than a year apart.

I took this photo at Writers Week in 2013

Guím leaba i measc na naomh dóibh beirt, mo chairde agus mo chomarsanna.

Library Rd., Jerry Hannon and Some photos from Listowel Races on Friday

I snapped these ripening conkers on the horse chestnut tree at the entrance to Gaelscoil Lios Tuathail.

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Race Week in Listowel, Early Evening




Live Music in Market Street

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Jerry Hannon,  Voice of Irish Racing




Jerry posed for me with his great friend, Marietta Doran





Here is a  article by Colm O’Connor about Jerry from last weeks’ Irish Examiner.

Almost 20 years after beginning his career at a pony meeting in Athea, Jerry Hannon became Ireland’s primary racecourse commentator in July following the retirement of his ‘inspiration’, Dessie Scahill.

Q: How did it all start?

A: “The seed was planted in my hometown of Listowel. It seemed that all of North Kerry would grind to a halt for the annual festival every September. People who might never step inside a racecourse from one year to the next would be there. 

My first memory of the races down at ‘the island’ was when I was about seven or eight. I had a black and red BMX that I would park up at the finishing post — but then I would turn my back on the racing itself.

Instead of watching the horses, I would watch Dessie Scahill who was the course’s racing commentator. He was my inspiration. I was just in awe of him and what he was doing. 

I’m not from a big racing family but my late dad, Joe, would have been into it and I would travel with him to race meetings like Killarney and Galway as a child. The more I went, the more interested I became.

People might remember that Sports Stadium used to have racing highlights back then. I would sit in front of the TV on Saturday afternoons and record the commentary sections on cassette and play them back over and over again. When I got older I had this impression I would do of Micheal Ó Hehir’s famous commentary of Foinavon’s win in the 1967 Grand National. 

The Racing Post had a transcript of what he had said that day and I learned it off by heart. I used to do it for friends and family but I’d be so shy that I would only do it if I was behind a door or under a table. Liz Horgan, who was from Listowel, heard it and was really impressed.  Her dad, James, was hugely involved in the pony circuit at the time and she twisted his arm to let me commentate on some races one day. 

And so I did on October 17, 1999, in Athea in Limerick. I can remember the day clearly — Chris Hayes, Nina Carbery, Billy Lee, and Davy Condon were all there that afternoon, starting out, just like me.

And look where we all are 19 years later.

Q: But you were more than just a commentator?

A: My dad was very good friends with Liam Healy, the legendary racing photographer from Listowel. I used to go up to his office as a child and soon started to help out, numbering and indexing the pictures. From there I progressed to being his bagman at race meetings throughout my teenage years. Then he gave me a camera — he always said I had a great eye for a photo! Would you believe that I had visited every Irish racetrack by the time I was 17 in my work with Healy Racing. So when I finished secondary school at St Michael’s College I went straight to work with him on a full-time basis. He had a huge influence on my career and I’m eternally grateful to him for the support and advice that he gave me. So when I started doing more and more commentaries at the point-to-points, I’d often be double jobbing. I’d call a race and then sprint down to take pictures of the winning connections in the parade ring afterward.

Q: Your progress was remarkably quick?

A: It was. A few months after that pony debut in Athea I started out working at point-to-points which was a very big career step. But the connection with the Healys was perhaps a help as I wasn’t a complete unknown around the circuit (in fact my first racecourse access card read Jerry Healy, not Jerry Hannon). I started off doing point to points in Askeaton and Bruff in Limerick and it took off from there.

Q: And then came a slice of luck?

A: I was up in Downpatrick in May 2000 taking pictures for Healys. It was a two-day meeting and on the Friday night we were out for dinner with the Polly Family and it turned out their dad’s memorial race — the Willie Polly Memorial Handicap Hurdle — was on the next day. I did one of my commentary party pieces that night and they enjoyed it so much that they asked me to do the commentary on their dad’s race the following day. The racecourse manager Iain Duff and the inhouse commentator Neville Ring happily acceded to their request and that is how I got my break into racecourse commentary. Neville stood down from the role a few months later and asked me if I would like to take over. Needless to say I’ve had a soft spot for Downpatrick ever since.

Q: So you were up and running, if you pardon the pun, but it wasn’t an overnight success?

A: It has been a hard slog to get to where I am. I grafted very hard and made a lot of sacrifices. I missed so many family occasions like weddings, communions, birthdays because of racing commitments. I also had to hold down other jobs as well because the number of racing commentaries I was doing simply wasn’t enough to keep me going alone. So I had stints working with Cadburys and Paddy Power over the past 19 years.

Q: What’s more important — talent or hard work?

A: I’d say hard work first and foremost but you still need a sprinkling of talent as a foundation.

Q: What is the secret to a good commentator?

A: The soundest piece of advice was from Pat Keane (former Irish Examiner racing correspondent). He told me to ‘keep it simple and don’t add anything that is unnecessary.’ And I’ve worked to that mantra since then. And my Dad used to tell me that I should treat every single race like a Derby or a Grand National. And those are words that I never forget. I’m a bit of a traditionalist, I’m not paid to be a comedian or have these flashy one-liners. My job is to call it like I see it. That is what I aim to do with every race I commentate on.

Q: Has technology made your life easier?

A: Yes, nowadays all the racecards are in colour so it is easier to work out the jockeys and so on. When I started out in point-to-points the cards would be in black and white so I would bring my own pencils to add the colours!

Q: Technology is a double-edged sword. Is your job more difficult in the social media age?

A: Yes. You are very exposed and quite vulnerable to keyboard warriors. It is a bit like being a jockey, you are only as good as your last performance. Nowadays your commentary is more than just at the racecourse. T

his week gone by. I was working at Listowel but that commentary was going out on At the Races, SIS, on Radio Kerry, on phonelines. It means there’s no room for complacency if you are doing a midweek meeting or the major weekend race. You have to be thick-skinned in that regard and for the most part I stay away from forums and the like. But thankfully I’ve never had any issues in terms of trainers, jockeys, or owners.

Q: Your toughest commentary?

A: A 30-runner, five furlough maiden up the Curragh. Which is all done in less than a minute. Now that is a challenge.

Q: Your favourite commentator in any sport?

A: Mícheál Ó Muircheartaigh.

Q: What does this new role mean to you?

A: I’ve been lucky in life, not everyone’s dream becomes reality. I’m 37 and landed the senior racecourse commentary role through nearly 20 years of hard work and hard graft. The Association of Irish Racecourses are my employers and they realised and rewarded me for my loyalty over the years. I have to punch in 220 racing days from July to July around Ireland. I completed the full set the week before last, with my commentary at Laytown meaning that I’ve commentated at every racecourse in Ireland. It is an honour and a privilege every day and hopefully there are more wonderful days ahead.”

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Style on Ladies Day 2018


I met Dick Carmody and his friend at the parade ring.

Stylish couple, Sharon and Antony

The Tg4 crew were looking resplendent.

Barbara and Gerard Mulvihill and friends were out in style.

Betty McGrath and her friends are always eye-catching on Ladies Day.

This fabulous sunflower creation did not win the prize for the jazziest hat. It would appear that that prize is decided among the 10 finalists in the best dressed lady competition.

I think, maybe,  they should rethink that one.

  Mother and daughter, Lorraine and Maria were beautiful.

I spotted this really well turned out groom in the parade ring and I wondered if he had been roped in to lead out the horse at short notice. Not at all. The next time I saw this man he was on the stage being presented with a prize for being the best dressed groom.  It’s great to recognise the hard work of these men and women who work away behind the scenes preparing the horses for racing and hosing them down afterwards. I think next year they might all be throwing on the suit they bought for a wedding.

I recognised a famous North Cork musician among the crowd. The last time I saw Liam O’Connor he was moving the mourners to applause amid the tears at the funeral of my great old friend, Peggy Keane of Freemount. What a musician!



For people who were there as much for the fashion as for racing, there was a roving Tote service to make sure you didn’t miss out.

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Culture Night

Tonight, Sept 21 2018 is Culture Night and Listowel has great things in store for us . Call in to the Seanchaí after 6 and Listowel Writers’ Week will give you a present of a book. That’s it…no Ts and Cs, just a book for nothing.

St. John’s and the Kerry Writers’ Centre have great programmes planned and at 9.00 outside St. John’s we are the get a light show, a foretaste of what’s in store at the upcoming Féile an tSolais. Great night in store. Don’t miss it.

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That Photo


Denis Quille recognised Dan Lou Sweeney in the front and his son, Billy confirmed it.


Billy MacSweeney had a few more names as well;

Looking at the Doodle photograph I recognize my father Dan Lou McSweeney

seated right at the front, Tom O’Connell right behind him. Mick Carey on

Tom’s right next to ‘Stackianus’ with Sean Grogan on the latter’s right.

Dermot Tatten is front left. That could be Chuck Roche behind Mick

Carey. That’s all I can make out.

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HOYS, Mumming and broadband in Ballyduff

Gurtinard Wood; Early Autumn Morning

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HOYS



The Horse of the Year Show is called Hoys by everyone in the know. It is the pinnacle of achievement for a show horse. I was there last week at the NEC in Birmingham to watch the lovely Sonny Bill make his debut in the big arena, under lights.

These are the old owners: my brother Pat and his daughter Elizabeth with the new owner, Jane Collins. Jane is an MEP but she took annual leave to watch her new Irish hunter perform.

This is the big moment when Sonny Bill made his entrance into the big time. It’s a long way now from hunting with The Duhallows in fields around Kanturk and Kilbrin.

Jane and her daughter, Rebecca had organised VIP seats for the visitors.

There were 22 horses in his class and the judges placed Sonny Bill 8th. This was a very satisfactory outcome for his first time in the big time. I’ll let you in on a secret. Sonny was wearing hair extensions in his tail. It’s all about appearance in showing….a kind of beauty pageant for horses.

Elizabeth was delighted with her rosette from HOYS. Sonny is still showing in her name even though he is no longer hers.

Pat and Elizabeth with Sonny Bill’s new English friends.

Sue Walker and her husband Nigel run the yard where Sonny is liveried. Here Elizabeth is showing them the horse she intends buying next.  They approved.

Hoys is a huge show with 250 retail stands. Unfortunately most of these were equine. There were some really entertaining shows in the arena. One of these was the Clydesdales.

This man was selling  a Mojo. He had them for horses and humans and they are meant to cure all aches and pains. A few of our party fell for his patter. If there is a huge improvement in horse or man I’ll let you know.

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Listowel Square with St. John’s



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Have you ever Heard of Mumming?


At the moment I am continuing my research on Jimmy Hickey’s life in dancing. One of the unusual things that came up was mumming. Jimmy Hickey and his dancers attended the Welsh Eisteddfod on several occasions. The only other representatives of Irish traditions was a group of Wexford mummers.

This is Sheila O’Connell’s photo of the Wexford boys. Sheila was one of Jimmy Hickey’s Sliabh Luachra dancers.

Mumming is an ancient Irish folk dance. The dancers hold sticks in their hands and clash the sticks as they perform the figures of the dance. The tradition is a bit like our wren boys and was often performed at Christmas time. John Kinsella, who hails from Co. Wexford remembers his father mumming.

This is Sheila O’Connell of Ballydesmond in her traditional Irish costume chatting to one of the mummers. Sheila is wearing the traditional hat worn by the mummers. That black one was the leader’s hat. The rest of the dancers wore green and gold and their hats were a bit like a bishop’s mitre.

 The mummers were also accomplished musicians. Here they are giving an impromptu performance while cooling off in the river.

This is Mary Doyle R.I.P. cooling off as she listens to the music. She is wearing a tr.aditional Welsh bonnet which many of the Irish contingent bought as souvenirs.

This is Jimmy Hickey and the Sliabh Luachra dancers. The box player is a very young Liam O’Connor

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The March of Time


These photos are from the Ballyduff Facebook page. The first is rural electrification in the 1950s. The second photo is the laying of fibre optic broadband cable in 2016.




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